We are featuring books recommended by our sponsor Eight Cousins Books in Falmouth.
“A heady admixture of explosive plot and taut, burnished prose . . . Mesha Maren writes like a force of nature.” —Lauren Groff, author of Florida
In 1989, Jodi McCarty is seventeen years old when she’s sentenced to life in prison. When she’s released eighteen years later, she finds herself at a Greyhound bus stop, reeling from the shock of unexpected freedom but determined to chart a better course for herself. Not yet able to return to her lost home in the Appalachian Mountains, she heads south in search of someone she left behind, as a way of finally making amends. There, she meets and falls in love with Miranda, a troubled young mother living in a motel room with her children. Together they head toward what they hope will be a fresh start. But what do you do with your past—and with a town and a family that refuses to forget, or to change?
Set within the charged insularity of rural West Virginia, Mesha Maren’s Sugar Run is a searing and gritty debut about making a break for another life, the use and treachery of makeshift families, and how, no matter the distance we think we’ve traveled from the mistakes we’ve made, too often we find ourselves standing in precisely the place we began.
About the Author
One of Southern Living‘s Best New Books of Winter 2019
“The literary lineages here are hard-boiled fiction and film noir, but on every page of her debut novel, Mesha Maren creates bold new takes on those venerable genres, a much needed refresh of worn tropes and clichés. Maren is masterly at describing America’s modern wastelands, the blasted towns not yet and maybe never-to-be the beneficiaries of rehabilitation and reoccupation. You can almost see Maren—like Raymond Chandler—cutting each typed page into three strips and requiring each strip to contain something delightful (startling simile, clever dialogue, brilliant description) offered to the reader as a recompense for a world that presses up against you all raw and aggressive and dangerous. A language that fully owns its power to capture just that ‘heart-wild magic.’ ”
—Charles Frazier, The New York Times Book Review
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